1943-45 [Styling models and clays] 
      GM [Cadillac] (USA) This styling model dates back to 1944;
      already the fish-tail fins of the '48 Cadillac models are to be seen
      
       
      GM [Cadillac] (USA) This designer's 
		drawing shows the license tag "GM194X". It appears to be a proposal for 
		an early post-WW2 Cadillac.
		
		
		 
		GM [Cadillac] (USA) This clay buck was 
		completed in
      1946; a prototype car closely resembling this design was actually built and tested (see
      1946, below). Note how the broad rectangular grille openings, front fender 
		sweep and "A" pillar resemble closely those in the colored sketch, above.
       
     
      
       
      1946 
      Coachcraft (USA) "The Queen"; customized sedan
      built on the commercial chassis; no details available other than ¾ RH front view in SSA
      1993, p.6 
      Derham (USA) Fleetwood 60S town car, McC p.265. This Derham conversion of a 
		regular Series 60 Special sedan was commissioned by the Duke of 
		Windsor. It featrured a Haartz pdded top and a smaller, oval rear window. 
		Interior appointments were particularly luxurious; behind the divison (unusual 
		set-up  in a 60S, were a bar, smoking set, vanity case for 
		the Duchess and a car radio. 
		The following text is copied from
      an Internet website
      devoted entrirely to Derham coachwork: Derham
      produced a fair number of converted town cars built using existing
      long-wheelbase 7- or 8-passenger limousines. They would remove the stock windshield and
      the front portion of the roof back to the B-pillar. Parts of the front door above the
      belt-line were cut away, and installed extra-tall (by 3) chrome-framed
      convertible-style windows in their place. A slightly higher (by three-and-a-half inches)
      windshield frame was made from cast bronze and a new piece of safety glass installed in
      it. Derham typically painted the wood-grained dash to match the body color and would
      sometimes damascene the instrument panel and glovebox door for a more custom look. A
      division window and storage compartment would be built and inserted directly behind the
      drivers bench seat. A lightweight removable canopy was then fitted over the
      drivers compartment that could be stored behind it when not in use. The factory
      upholstery would remain, with only a minimum of work required to cover the lower portion
      of the divider with matching upholstery. Typically the rear quarter windows were removed
      and covered with sheet steel over which Derhams trademark padded-leather top would
      be installed to finish off the job. A true custom town car was ready for the customer in
      as little as a week compared to the 2-3 months typically required for a true composite
      custom body. The body work involved was minimal and its low cost enabled Derham to sell
      their custom conversions for a fraction of the $15,000 needed to build a true coachbuilt
      custom. Popular options included a completely new interior, an electric division window
      and custom paint schemes. For budget-minded customers, the same look could be accomplished
      using a totally enclosed 7- or 8-passenger limousine that didnt require the
      expensive bodywork and new windshield. The padded top could be extended forward to the top
      of the windscreen, or could be built from the B-pillar giving the impression of a town car
      but at a much-reduced cost. While Derham was not the first coachbuilder to put a
      padded-leather top on a vehicle, they were clearly responsible for making it a popular
      accessory and it ultimately became known in the industry as a Derham Top. Enos
      Derham recalled, "One day a man from the (Cadillac) factory asked how many of these
      we were selling a year. Like a jackass I wrote and told him. The next year they brought it
      out at the (Cadillac) factory."
      
		 
    
		
       
      Fleetwood (USA) Series 75 on 136" wheel base converted for
      railroad track inspection (SS 4/92, pp.7-8); initially called "track
      cars" or "speeders", these vehicles were fitted with spoked flanged wheels,
      sandboxes under the front fenders, a turntable suspended under the car (enabling it to be
      jacked up and swung around 180°), pilot, roof-top horns and luggage rack, and red light. 
       
      
     
      [ Photos:  courtesy CLC, Self Starter ]
       
      GM Styling (USA) Concept car project for a post-WW2 sedan
      (possible new "Sixty Special").  I for one am happy that this design did
      not make it into production!
       
     
       
      GM Styling (USA) The artist's drawings below
      are by Cadillac designer, Raoul Pepin; they were supplied kindly by fellow Cadillac
      enthusiast Eric George who writes:  that 1946 concept car [drawing below] isn't
      such a dud after all. It's general lay-out is very much as Cadillacs would be by the
      mid-fifties. I mean by this the proportions, short hood, long deck. The first concepts for
      the Eldorado Brougham from the early 50's have this lay-out in an exaggerated form. There
      is of course the aircraft inspired wraparound windshield that probably makes it's first
      appearance in this car. The roof form aft of the "A" pillar including the
      wraparound rear window is the same as on the 1950 series 61 sedan. As I said before, the
      long rounded rear deck and chrome bumper-fender skirts are strongly reminiscent of the
      1957-58 Eldorado. Eric mentioned also that he had seen somewhere another black and
      white drawing, reminiscent of this 1946 concept car, from the early 1940's; it had a full
      Plexiglas roof and a generally more exaggerated, cartoonish, Buck Rodgers rocket ship
      style. It too may have been a Pepin design
       
     
      Early post-war Cadillac designs by in-house artist,
      Raoul Pepin
      Left:  1946 proposal; right: a similar proposal for 1947
       
      GM Styling (USA) Full-sized clay model of proposed Series
      60 Special model for 1949 (photo dated 02.19.46) 
      
      [ Information and photo: courtesy CLC and Steve
      Wolken ]
       
      GM Styling (USA) Another, later, full-sized clay model of
      proposed Series 60 Special model for 1949 (photo dated 08.13.46) 
      
      [ Information and photo: courtesy CLC and Steve
      Wolken ]
		 
		Schwartz, Maurice (USA)
      custom Woody wagon on Cadillac "75" Series chassis for MGM 
		studios in Hollywood. Between 1947 
		and 1949, MGM Studios ordered six Series 75 Cadillac chassis from 
		Hillcrest Cadillac, the Beverly Hills dealer. These chassis were 
		dispatched to Maurice Schwartz ro receive custom, “woody” bodies. This 
		6-door jitney,  built on a 1946 Series 75 chassis,
		was ordered by a major Hollywood movie studio; it was used to ferry 
		actors to and from shooting locations. Note that it features the tail-light 
		assemblies of 1940 Cadillac models.
		
		
       
      [Unknown, USA] Based on a 1946 model, this radical custom
      is distinguished, above all, by its 1941 Cadillac grille. The car was offered for sale on
      e-Bay in November, 2003
       
     
      
       
      [Unknown, USA] Based on a 1946 Series 60 Special
      sedan, this station wagon conversion was sold at a Kruse auction in Auburn, IN, in the
      Fall of 2006 for $51,000
      
       
      [Unknown, USA - possibly Maurice Schwartz] Here's another woody on Cadillac chassis
      (probably a modified "Series 75" sedan or limousine.
      
		
       
      [Unknown, USA] Based on a 1946 "Series 75" this formal looking people hauler with false landau bars on the quarter panels
      was available for sale in 2008.
      
       
      [Unknown, USA] and unusual too, is this railroad
      inspection car, converted from a Series 62 sedan; it was used by the Western
      Maryland Railroad corp. Pics are from a story written by CLC Museum curator, Tim Pawl, for
      the Self-Starter issue of July, 2008.
       
      
     
      Note absence of (pointless) steering wheel 
      [ Photos:  © Self Starter ]
       
      1946-47 
      [Unknown, USA] an unusual 2-pass. roadster on Cadillac
      chassis and drivetrain.
      
       
      1947 
      Barris (USA) Featured in Motor Trend, August 1958, p.39, this
      customized car was described thus: "Advance design work is indicated in this '47
      Cadillac with its de ville-type leather-covered top, removable wrap-around rear window
      glass, and the 'floating' separated front bumpers. Body sculpturing is evident in the
      front fender crease which fades into the frenched headlight, and the slightly peaked hood,
      shaved of its usual ornamentation. Floating-type grille is set into a reshaped horizontal
      chrome shell." 
      Bohman & Schwartz (USA) An unusual camper on commercial
      chassis. This vehicle came up for sale on Ebay in 2010. It appeared  in poor
      condition; not surprising after 62 years!
      
       
      
     
       
     
      Here is the same car, 62 years later !
      [ Photos:  Ebay web site ]
       
      Coachcraft (USA) a 1941 model converted to a 2-door 1947 roadster
      by adding a 1947 grille, after the car had been damaged in a fire. Called the
      "William Holden" car, Rudy Stoessl, the man behind Coachcraft did not recall the
      screen star ever having been involved with it. No "V" and crest was featured nor
      was the 1947 Cadillac script. Photo of  ¾ RH front view in SSA 1993,
      p.6, taken in 1949. 
      Derham (???) (USA) I copied from the ZTV
      collection, in May 1994, a B&W shot of a special 1947 limousine with cloth top, posing
      beside a fire hydrant (photo, below). I wonder if this is the same car shown in McC
      p.272 and Sch40, p.119. Haartz cloth coverings were used 
		on some formal jobs, like this one, but the customary top color was 
		black. 
      
		
		 
      
     
            
      
 
      I'm assuming all these photos are of the same car, 
      taken at different venues in the last 20 years 
       
      Derham (USA) 4-door convertible sedan on Series 75 chassis;
      photo: Sch40, p.118; commissioned by 
		King Farouk of Egypt.
    
	
        
      Derham (USA) town car conversion from Series 75 limousine, Sch40,
      p.119. Informal limousines (those with painted metal roofs) were uncommon. 
		More popular were leather covered roofs and enclosed rear quarters. 
      
		
       
      Derham (USA) 4-door state limousine specially outfitted for H.H.
      the Pope Pius XI. 
      
		 
		Derham (USA) 4-door formal 
		limousine with typical Derham.style oval backlight. Roy Schneider, who 
		wrote the definitive book, "Cadillacs of the Forties", was able to view 
		the Derham archives; these indicated that 12 formal limousine 
		conversions like this one were completed in 1947.
		
		
       
      Derham (USA) formal sedan conversion on Series 75
      limousine, with padded leather roof 
       
     
		 
      Not sure if these three photos depict the same car or
      not
       
      Derham (???) (USA) a 4-door formal sedan with small
      circular quarter windows and fancy carriage lamps. 
       
     
       
      Derham (USA) This
      mildly modified limousine may have
      been made for the funeral trade.  It has, in addition to  faux landau bars [an
      unusual feature on a Derham conversion], the typical front hood chrome markings of the
      Sayers & Scovill (S&S) funeral coaches.
      
       
     
       
     
      [ Photos:  Internet, 11/2004 ]
       
      De Rosa, Frank (USA) the Hollywood customizer created this
      chopped-chaneled-sectioned 1947 Cadillac Kustom.
      
      Photo:  courtesy Tony Wood
       
      Fisher/Fleetwood (???) (USA) modified Buick "Y-Job"
      (special order # 13690), Alfred P. Sloan Museum, Flint, MI. Not a Cadillac, but deserving
      of recording here as having inspired many future Cadillac dream cars and given typical
      Cadillac features to later production automobiles. 
      Mattar (USA) This oddity was created by Louis Mattar
      of San Diego, CA, for his retirement. Sorry, I couldn't resist including it. Its
      convenience items include hot and cold shower, electric kettle, vanity case, stove,
      refrigerator, washing machine, ironing board, color TV, stereo system, telephone and the
      all-important wet-bar. The rear seat converts to a bed for two. Louis wants to add a
      computer and a miniature putting green! Article in PS 5/52, pp.130-131. For more
      information about this curious Cadillac, check out this French-language Web page
      on the Internet [thanks to Brian Grittner in MN for the tip].
		
		
       
      
       
      Reinbolt & Christé (Switzerland) custom 4-door convertible
      sedan with reversed front "suicide" doors; the front clip is all Cadillac but
      major modifications appear to have been done to the rear.  I believe this car has
      survived.  It is not known what chassis was used to accommodate the large convertible
      body. 
       
     
		
      
		 
     
      [ Photos:
      © 1992, Autovision ]
       
      Schwartz, Maurice (USA)
      custom Woody wagon on Cadillac "75" Series chassis for MGM 
		studios in Hollywood. Between 1947 
		and 1949, MGM Studios ordered six Series 75 Cadillac chassis from 
		Hillcrest Cadillac, the Beverly Hills dealer. These chassis were 
		dispatched to Maurice Schwartz ro receive custom, “woody” bodies. This
		6-door station wagon, (2nd unit), was built for 
		cowboy star-singer Gene Autry, Sch40, p.120, McC p.272
      
		
		
       
      Schwartz, Maurice (USA) conversion on Series 75 chassis
      commissioned by shoe magnate, Harry Karl, for his singer-actress wife, Marie McDonald.
      
       
      Unknown (UK) At a Kruse auction in Auburn, IN, in Sept. 1999, a
      fastback Series 61 Sedanet with a custom body was offered for sale (lot #4456); it
      reportedly  found a buyer at $#4,000. The catalog mentioned that the car was
      previously owned by Lieutenant General Walter Rhodes, USAF, who was stationed in England
      from 1941 to 1967. The car was shipped to England as a bare chassis and a body was fitted
      there by an unknown UK coach builder;  the car was stretched seven inches.
      Unknown (probably USA) Possibly a conversion by Derham on the
      chassis of the Series 75.  The photo below was taken at a meet in the
      seventies.
      
       
      Unknown (USA) but probably Fisher or 
		Fleetwood; Series 60 Special sedan. The phot was taken at the 
		Cadillac Grand National meet in Las Vegas by me friend and fellow 1942 
		Cadillac owner, Jeff Hansen
		
		
		 
		Unknown (probably USA) This pick-up truck, believed
      to be from the Le May collection in Seattle, WA, has THREE Goddess ornaments:  one on
      the hood and one on at the front of each fender.